PERCEIVING THE UNKNOWN: THE BLACK SOFT INTRODUCES BELOW 14TH STREET
Geometry And Illusion With Hideki Inaba
Hideki Inaba marries mechanical engineering with graphic design for his latest solo exhibit at New York’s +81 Gallery. The exhibit opened January 15 with a live installation alongside bright, fanning print work pieces that resemble stenciled jellyfish floating under the sea.
With his conceptual graphic artwork, Inaba takes pieces that could be viewed as traditionally static and transforms them as each line appears to be moving on the canvas. Using fine, detailed lines the work becomes visually complex as the simple elements and illegible font create the appearance of movement. Inaba perfects his aggregation of microscopic lines on computer monitors before printing them out. This proves to be no easy feat because despite todays advanced technology, printing these meticulously detailed work is difficult. To even recreate Inaba’s work on paper, the prints are required to be resized at an enormous magnification. Yet Inaba has perfected this form and is able to repurpose his original artwork for commercial purposes.
Based in Tokyo, Inaba earned his degree in Science and Engineering before working as a freelance graphic designer. Inaba started his career in commercial work before moving solely into conceptual art. He has created and completed projects for fashion brands Louis Vuitton and agnès b as well as for cosmetic company Shu Uemura.
Hideki Inaba’s solo exhibition is on view until February 28.
WRITTEN BY: EMILY DOOLEY
PHOTO CREDIT: +81 GALLERY NEW YORK
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