TWELV takes a step back and visits the masterminds behind the camera.
NEW TYPE #33: Catherine Casias Inteview
If fashion is an expression of experiences, Catherine Casias has a lot of area to cover. She has excelled as an Olympic volleyball player, a philosophy major, and a fine artist. And now she can add fashion designer under her belt. Hand drawing and painting prints for her textiles, Casias transfers subconscious dreams and long forgotten memories into asymmetrical skirts, slim pants, and billowy blouses. Her ultimate goal? “Illustrate the cosmic resonance between individual and the environment they exist within.” Judging by her own diverse yet interconnected road into fashion, it’s safe to say everything happens for a reason.
------CATHERINE CASIAS INTERVIEW------
1. It’s so cool you made the Junior Olympics for volleyball! Did you ever think you would end up as a fashion designer?
CC: The love and respect for fashion designers and artists was always there. I took private art lessons at a young age, and art was always a passion. That inspired a lot of interest in fashion. As a young girl I had a subscription to Sassymagazine and would set my alarm for 6 am on Saturday mornings to watch VideoFashion. Those two things had a huge impact on me.
2. You have traveled and lived across the country. How has this influenced your style, and is there a city that resonates with you most?
CC: I lived in New York for seven years and Seattle for seven years. When I first moved to Williamsburg in 2003 it was the best experience. So many amazing people. It inspired me to feel confident and wear whatever I wanted to, and that was liberating.
3. You name film as one of your biggest sources of inspiration. What films inspire you most?
CC: I love so many! However, the ones that have inspired my design aesthetic the most would be: Spellboundby Alfred Hitchcock, Suspiriaby Dario Argento, The Keepby Michael Mann, Eraserheadby David Lynch, Ugetsuby Kenji Mizoguchi, Eyes without a Faceby Georges Franju, and Inaugurationof the Pleasure Domeby Kenneth Anger.
4. What differences have your found in being a fashion designer compared to a fine artist?
CC: Being a fine artist is a very personal and independent thing. It is almost purely cathartic and a form of communication. Being a fashion designer is working with other people to see your vision through.
5. I read your designs capture dreams and long-forgotten memories. Could you elaborate on this process?
CC: I have very vivid dreams that have always had a profound effect on the way I see the world. I tend to gravitate to artists who have that same cerebral process.
6. When I look at your FW 18 collection, I see a bit of 60s/70s prints as well as 80s silhouettes. Which decade of fashion is your favorite?
CC: I am most inspired by the 20s and the surrealist designer Elsa Schiaparelli. It was really the first time art started to redefine the silhouette and boldness of prints.
7. What person has made the biggest impact on your career?
CC: My business partner Kinda Lincoln believed in my concept and my vision. Also my mother who helped cultivate and foster my artistic impulses when I was very young.
8. What advice do you have to individuals wanting to launch their own brand?
CC: You have to believe in yourself and your vision. So many people are going to challenge you and your ideas that you have to stay steadfast and follow your gut always.
CATHERINE CASIAS'S WEBSITE
CATHERINE CASIAS'S INSTAGRAM
INTERVIEW BY EMILY CIESLAK
PHOTO CREDIT CATHERINE CASIAS
related posts
IKEMEN #24: LUKE ABBY
IKEMEN (ē´k´mɛn): Japanese Slang
"REALLY, REALLY, RIDICULOUSLY GOOD LOOKING PEOPLE"
ERIN FETHERSTON EXCLUSIVE INTERVIEW
NAME: Erin Fetherston
ORIGIN: California
OCCUPATION: Fashion Designer
CRYSTAL KAY EXCLUSIVE INTERVIEW
NAME: Crystal Kay
ORIGIN: Yokohama, Japan
OCCUPATION: Performer and musician
IKEMEN #23: ANSONI
IKEMEN (ē´k´mɛn): Japanese Slang
"REALLY, REALLY, RIDICULOUSLY GOOD LOOKING PEOPLE"
IKEMEN #22: ADAM SPOONT
IKEMEN (ē´k´mɛn): Japanese Slang
"REALLY, REALLY, RIDICULOUSLY GOOD LOOKING PEOPLE"
BABËL New York Celebrates 1 Year Anniversary With Two Day Event of Excess and Splendor
BABEL NEW YORK acclaimed the NYC party scene in celebration of their First Year Anniversary. As temperatures begin to heat up in NYC, there is no better locale than the much desired rooftop.
BEHIND THE SCENES #2: LUIGI MURENU
TWELV's Behind the Scenes takes a step back and visits the masterminds behind the camera.
IKEMEN #21: MICHELLE VON MANDEL
IKEMEN (ē´k´mɛn): Japanese Slang
"REALLY, REALLY, RIDICULOUSLY GOOD LOOKING PEOPLE"
IKEMEN #20: GEORGE INAKI
IKEMEN (ē´k´mɛn): Japanese Slang
"REALLY, REALLY, RIDICULOUSLY GOOD LOOKING PEOPLE"
DEBORAH ANN WOLL: ALL THE WORLD'S A STAGE
Deborah Ann Woll’s voice glows when she speaks, as warm and full as her golden red hair.
NEVE CAMPBELL: LOSE YOURSELF TO DANCE
Carrying over two decades of the industry on her back, there aren’t many women with the grace and stoicism of Neve Campbell.
GARETH PUGH: ORGANIZED CHAOS
Gareth Pugh is a study in contrasts; balancing the demands of what is created and what is worn; what is in a designer’s control and what is in the hands of the wearer; what must be planned and...
LAKE BELL: THE GREAT LAKE
Lake Bell has made a name for herself as a charming, beautiful, and witty New Yorker capable of indie and blockbuster success (“It’s Complicated”, “No Strings Attached”, “Children’s Hospital...
FRIDAY'S FW PARTY
With Fashion Week’s second day over, Friday night was primetime for some of the most prominent designer to celebrate their successes over a glass of champagne.
IKEMEN #19: SAMAR SAJJAD
IKEMEN (ē´k´mɛn): Japanese Slang
"REALLY, REALLY, RIDICULOUSLY GOOD LOOKING PEOPLE"
Happy Birthday, Kate the Great!
Happy birthday to everyone’s favorite super model Kate Moss. The Brit enters her 40th year with grace, and she looks better than ever.
Lady Gaga's ArtPop Ball
Lady Gaga is back, and this time, it’s not just to perform.
IKEMEN #18: KEIICHIRO NAKAJIMA
IKEMEN (ē´k´mɛn): Japanese Slang
"REALLY, REALLY, RIDICULOUSLY GOOD LOOKING PEOPLE"
IKEMEN #16: KAROLYN PHO
IKEMEN (ē´k´mɛn): Japanese Slang
"REALLY, REALLY, RIDICULOUSLY GOOD LOOKING PEOPLE"
Futura Bold
Futura came up in the grimy, visceral environment of New York City’s early 1970’s street culture of tagging, bombing and writing graffiti – making their art not in the city, but on top of it.
FROM AUSTRALIA WITH LOVE: WHAT I'VE LEARNED SO FAR
Buyer’s Regret: It’s just like buyer’s remorse only in reverse. And it is a fashion crime that I have and will probably continue to commit time and time again.
IKEMEN #15: EDOARDO IANNUZZI
IKEMEN (ē´k´mɛn): Japanese Slang
"REALLY, REALLY, RIDICULOUSLY GOOD LOOKING PEOPLE"
FROM AUSTRALIA WITH LOVE: Designer Profile of Gabriella Ferrante
I find that Australia’s fashion industry can sometime be accused of playing catch-up with other, bigger and more cosmopolitan locations (i.e. Paris, London etc…) This needn’t be the case.
IKEMEN #14: Joao Veiga de Aguiar
IKEMEN (ē´k´mɛn): Japanese Slang
"REALLY, REALLY, RIDICULOUSLY GOOD LOOKING PEOPLE"
FROM AUSTRALIA WITH LOVE: PRETTY BOYS DON'T BUY THEIR OWN DRINKS
Its no secret if you know me – I like to drink.
IKEMEN #13: NATALIE O'BRIEN
IKEMEN (ē´k´mɛn): Japanese Slang
"REALLY, REALLY, RIDICULOUSLY GOOD LOOKING PEOPLE"
IKEMEN #12: KRISTIN PRIM
IKEMEN (ē´k´mɛn): Japanese Slang
"REALLY, REALLY, RIDICULOUSLY GOOD LOOKING PEOPLE"
ARTIST, MODEL, AND LIVING PIECE OF ART: ZOMBIE BOY
From Zombie Boy to living icon, Rick Genest isn’t just Nicola Formichetti’s muse anymore.
IKEMEN #11: JAY PAAVONPERA
IKEMEN (ē´k´mɛn): Japanese Slang
"REALLY, REALLY, RIDICULOUSLY GOOD LOOKING PEOPLE"
DON'T CALL DELANO BROWN A DESIGNER
TWELV met up with the always-unpredictable artist Delano Brown for lunch in Bryant Park.
IKEMEN #10: LOGAN NEITZEL
IKEMEN (ē´k´mɛn): Japanese Slang
"REALLY, REALLY, RIDICULOUSLY GOOD LOOKING PEOPLE"
Rocco Leo Gaglioti
Who are you?
Rocco Leo Gaglioti Creator/Host of Fashion News Live and Owner/CEO of RLG Productions, Corp.
NICOLA FORMICHETTI TUMBLR MEETUP HIGHLIGHTS
“My job feels more like a hobby than a job, really; it’s always fun,” says Nicola Formichetti for TWELV’s second issue.