TWELV sits down with founders of Parlor Social Club Jan Cieslikiewicz and Frederick Ghartey to give a glimpse into the story of co-founders living in New York City.
INTERVIEW: Bigwig Broadway Producer, Jordan Roth and Acclaimed Choreographer, Michelle Dorrance
A soul talk between the bigwig Broadway producer, Jordan Roth and the acclaimed choreographer Michelle Dorrance about the nature of kindness and how dance fixes the soul.
-------------JORDAN ROTH & MICHELLE DORRANCE-------------
Michelle: I'd imagine everyone thinks they're right, I would assume so. I guess we hope that --
Jordan: I do think everybody thinks they're right.
Michelle: I think that there's fear-driven right and there's hope-driven right. And I think the fear-driven right folks should open their minds a little more and wonder why they're so scared. Because usually you're scared of the other or someone is scared of an immigrant taking their job and often people are scared of things that are intangible.
Jordan: Aren't we all scared?
Michelle: Yeah. We're all scared to an extent. What I'm most scared of is masses of people being killed, compromised, jailed -- like those fears and the fact that we could see some totalitarian or really nasty possibilities ahead of us. It's also smart to acknowledge, I don't think we need to act out of fear, we should act out of what we can do to make this better. Yeah, I think we're all scared to some extent.
Jordan: I think a lot about doubt because I have a lot of doubt.
Michelle: How so?
Jordan: Just in that I -- the level to which somebody believes they are right is the inverse of the amount of doubt that they allow to creep into their heads.
Michelle: Could it be open-mindedness? Like can someone believe they're right, but still --
Jordan: Yes, that's probably a better spin than doubt. Yeah. But allowing for the possibility that you may not be right.
Michelle: Right.
Jordan: I guess that sort of doubt is the opposite of zeal, perhaps.
Michelle: Yeah.
Jordan: And, this is what I believe, this is what I know, but maybe there's more, maybe there's something I'm not seeing -- When that doesn't exist, that's when I get really scared.
Jordan: That's what scares me the most.
Michelle: The inability to reflect I think is, that's the end. I can 100 percent know how my heart feels so there's a true confidence in my passions and my feelings. I don't ever doubt what I'm feeling. But how I came to feel it is rooted in subconscious judgments, is rooted in my experience as a human being. And if we don't reflect on that like, I know why that angered me and it's because this used to happen to me when I was little -- You know what I mean? -- If we don't have a moment to go take a deep breath and know that you're being more sensitive than you usually would be -- this particular poke hits a little deeper because there's a bruise in there from an old poke or whatever it is -- If we don't take a look at that --
Jordan: Is that what you're doing in your work?
Michelle: Oh man. I don't know. There might be some elements of that inside larger pieces of work. That's interesting. Well, just exploring, reflecting. And one work in particular that I made most recently, I absolutely had to exorcise someone who was very manipulative – someone who was in my life very intimately, very quickly, and the havoc that was wreaked because of it, and because I made certain decisions in relation to it or was manipulated into. But I have to take responsibility and say you are a sucker so that's why you got --
Jordan: “You,” me?
Michelle: Me. Me looking at myself. You, Michelle Dorrance, are a sucker. You are so bent on care-taking that you couldn't see that that was the way you were pulled into this by someone who saw that in you -- they played the victim because they knew you would go for it. That's embarrassing. And also, the idea that practiced behavior becomes method, it becomes who you are. You can choose the wrong thing enough times for it to be your go-to even though you know it's wrong, and I observe that in this person.
Jordan: Okay, well, that has to take us to dance. Practiced behavior becomes who you are.
Michelle: Absolutely. Well, that's the other part of it. That's also how we become as proficient as possible. Masterful technicians. It's the only way.
Jordan: Repetition.
Michelle: Exactly. The piece is called Myelination, it's about the fatty tissue that builds around synapse fires in your brain -- all the nerve fibers. That's how we remember things. That's how we do anything we do -- that's how we walk. Everyone used to think that gray matter was the most important thing when really we're still learning, discovering elements of what's really happening in our brains. But this, it's insulating myelin, myelin is this fatty tissue and it's the white matter in the brain. It's insulating these pathways so that the more you do it, the more that builds around it and the faster it fires. So things that we don't have to think about — walking, talking, you know — we've practiced and it exists. But things we're learning how to do for the first time or innovating within something we've done before -- when I'm used to doing a shuffle heel and I want to do some weird toe stand before I do the heel, all these other things have to happen in order for, first of all, the heel not to engage first and then also for me to get off the ground and do this other thing before I land again. So just that idea, that's going to take some practice for it to build. That relationship has everything to do with building skill, building technical mastery, building the ability to make music, building the ability to communicate. All of those things intersect with the same practice that treats people with kindness or hatred.
Jordan: This is going to make me cry and I feel like this is a breakthrough.
Michelle: You know what I mean though?
Jordan: That's the book.
Michelle: That's the book, oh my gosh. You know what I'm saying.
Jordan: I do. I mean, whole world of business thinking, self-help thinking is around habit and how you build habit. So I think you're pointing us to a whole legacy of creation and work and creativity that is doing exactly that and telling us, pointing us in that direction, with that kind of repetition. Put this in your body so it lives in your body.
Michelle: And it must. It has to be embodied. Kindness is embodied, it's practice.
Jordan: Kindness is embodied, it's practice.
Michelle: But it is also from this other -- and I believe this and whether you want to call it spiritual or hippie or whatever -- I am a person who believes in the way our spirit engages and interacts in our physical being. And whether people want to quantify that as energy or something scientific, there are a lot of other ways we can think of it, that we are invested on this other plane in our physical body and that practice, that's what takes it to a level that changes hearts and changes spirit and can change. There can be someone who's practiced in another way that can change, that can be moved by something. When it reaches to the core of something and can change it from the inside. It's not that we can't pray for revolution for people who have been practicing hate, I think we can. But it means really getting to the heart of something.
Jordan: But I also think that it takes us to -- we've been talking in extremes.
Michelle: Yes, of course.
Jordan: And probably more useful or just as useful is all of those little things that are inside all of us that don't serve us individually and that don't serve us communally. Maybe if I could find my way out of that through the repetition of my body in the way that you would prepare your body to dance or prepare your dancers to move --
Michelle: Or perform.
Jordan: For you.
Michelle: To execute something that takes the kind of strength that you can only build through repetition, it's the same thing you're talking about. All those little decisions that you have to make on a given day, even if it's your own thinking. Like, I won't engage this negative thought because I know what it will do to me. I'll continue to do this and then I'll have this big part of me that does that. It's every little choice. Then you're building a muscle that's more resilient to indulging that pathway.
Jordan: Dance as a metaphor for fixing the soul.
Michelle: Because it does.
Jordan: Not metaphor. Instruction manual.
Michelle: It is. It's nuts.
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